Champagne
Inara Lavey
2009
Contemporary/ m/f, f/f/m- ménage
50K- $4.99-6.99
Ebook- Ravenous Romance
Buy it ARe, Ravenous Romance
Jeanette Wilson is an American girl on the trip of a lifetime to the wine regions of France. Unfortunately, she's trapped with her soon-to-be-ex-boyfriend Daryl, a self-absorbed, self-aggrandizing, self-styled wine expert bent on swirling, sniffing, sipping, swishing, chewing, swallowing and occasionally spitting his way through the wineries. Between his endless lectures and insufferable putdowns, her insignificant other is quickly turning her dream vacation into a nightmare.
But things change for Jeanette once they come to the zenith of their French road trip, the Champagne house of Chateau Roux-Dubois. Their hosts, Amaury and Marie-Elise Roux-Dubois, turn out to be both charming and attractive, and go out of their way to extend a warm welcome to her. And they make it very clear that it is she, not Daryl, who is their special guest, particularly when the striking Marie-Elise takes Jeanette down to the wine cellar for a very personal tour, followed by an unusual French lesson from Amaury.
When she and Daryl are invited to stay and participate in the harvest festival, Jeanette finds herself caught up in a ménage a trois with the Roux-Dubois, both intent on teaching her many things...and not just about wine.
Champagne is a fun, light ménage story, with an interesting backdrop for a contemporary and an eclectic group of characters. I really enjoyed reading it.
Jeanette, the main character whose POV this story takes place through, is one of those heroines you feel immediately at home with. She’s playful and easy going, while at the same time coming across as self depreciating and completely normal.
What really made me all hot and bothered about this story was the lack of angsting. Jeanette goes along with being seduced by Marie-Elise and her husband Amaury and actually falls in love with them. She doesn’t bother about that she’s with a woman or in a ménage internally even though it’s a first for her. All she knows is that she feels good with them and wants to be with them, especially Marie, and I liked that.
Marie-Elise seduces Jeanette first. How that happened was very yummy and I wished for more actually. Marie has a warmth about her that was very appealing; she was always treating Jeanette in a loving way even when she's being a bit predatory…in the beginning. Then Amaury seduces her but in a totally different way. He’s definitely a dom in that, spanking her and telling her to behave (only during sex), but Jeanette has fun and goes right along with it not taking it too seriously.
Marie-Elise and Amaury are two people who I feel are very mature and loving. And the fact that they knew they wanted Jeanette and seduced her was kind of hot. Another thing was that I found it refreshing to have characters who act in unclear and somewhat cold ways take responsibility for it and really apologize, which is what Marie and Amaury did in the end after realizing that they acted in a way that left Jeanette unclear about their intentions.
The backdrop to this story occurring in Champagne, France and the world of wine making was written in colorful detail that felt very authentic. The setting, landscape descriptions, food and wine descriptions kept this contemporary more compelling than the usual fare. It gave me the feeling of being on a fun trip with all the expectations of doing something new and exciting.
There were a few things that bothered me though about this story.
I almost got pissed off at one point by the direction the story was going. One of my most hated tropes was involved, the big misunderstanding. There was a set up by the author that introduced another character to the mix after Jeanette gets with the Marie and Amaury that had me thinking, no, no, no and why? Plus, I couldn’t stand that character. But this character is a friend of Marie and Amaury’s and they practically push him on Jeanette. This left me a bit confused as to why they would do that. Do they want Jeanette and him to get together? Do they usually include him in their little manage trysts and want this become a foursome of sexual games? I was confused because Marie and Amaury don’t come across as this type in the beginning.
The other thing that bothered me in this story was the lack of build up and follow through with the relationship between Jeanette, Marie-Elise and Amaury in the beginning. I felt teased by a delicious seduction that had me wanting more. But then the story shifts to Jeanette and Marie and Amaury’s friend. The author makes it very clear that Jeanette really wants to be with Marie and Amaury so I was disappointed that there wasn’t more interaction or tension created between those three before the end. But it was still an engaging read with a very satisfying ending.
Champagne is a definite recommend for a sweet f/f/m ménage. One in which all the characters really want each other and it’s clear they will work it out.
Heat level: 4 – some graphic sex scenes with some minor D/s play. M/F, F/F, F/F/M
Grade: B+
Thursday, April 29, 2010
Tuesday, April 27, 2010
Review-The Life Not Lived by Michelle Houston
The Life Not Lived
by Michelle Houston
February 2010
Erotic romance, lesbian romance, paranormal/horror romance
Short Story (27 pages) 7K words
Ebook- Phaze Publishing
Guest Review by M.A.
Buy it Phaze, ARe, Fictionwise
We all have those moments in our lives we wish we could take back. Natasha has come to regret the choices she has made in her life, the biggest one being turning away from the one woman she had ever loved. But thanks to a late night visit from a succubus and a magical diary that found its way into her life, she can have a second chance. If she¬s willing to take a leap of faith...
I’ve read The Life Not Lived a few times and mulled over how to grade it. This short story qualifies as an “almost-book,” imperfect in places, but still likeable enough I want to recommend it.
Houston’s lyrical “voice” is a pleasure to read. Its cadence best compares to rainfall or the waft of soft piano music from a distant room. Her storytelling resonates with beautiful, subtle imagery. I often visualized specific scenes as though they’d been shot with soft-focus effects. Dream-like, no harsh edges.
Like many good short works, The Life Not Lived relies upon scene/setting, atmosphere, and emotion to build itself. Houston’s talent shines in her ability to craft a tale where 95% of the action occurs in a single location – the protagonist’s home – without ever inducing claustrophobic tension. Sufficient description illustrates Natasha’s world without overwhelming the plot.
Natasha is a convincing, well-drawn protagonist with whom many readers can identify. Recently divorced and approaching middle life, the successful professor/scientist contemplates past mistakes as she refurnishes her home. Years ago she broke off a romance with her college roommate, Lydia, in favor of marriage to Andrew because she viewed heterosexual marriage as a social and professional advantage. The selection of career over love haunts Natasha, and her recent acquisition of an old diary boasting paranormal properties may offer her a second chance for true happiness … if Natasha pays an unspecified price.
Self-doubt and fear of the unknown cook conflict through the storyline. A demonic visitor’s revelation of Lydia’s awful fate raises the stakes as Natasha reconsiders the toughest choice she ever made. As a horror fan, I enjoyed the subtle terror these elements added to the narrative. Great payoff followed great tension, but Houston remained true to the romance genre and provided readers with a happy ending. In a manner of speaking.
The Life Not Lived is marketed as erotic romance. It contains brief explicit content, including masturbation and f/f(demon) erotica. I viewed the erotica as neutral and a little gratuitous, not integral to the plot. It disappointed me that none of the erotica portrayed Natasha and Lydia together. Technically the “demon lover” contains an aspect of Lydia, but it was concealed to the point Natasha did not recognize her. In my opinion, an erotic romance featuring a character willing to seriously consider altering fate for a lost true love should contain the couple’s lovemaking.
The beautiful, flowing qualities of Houston’s storytelling do hit some awkward “bumps” at times. The plot lacked consistency concerning Natasha’s relationships with Lydia and with Andrew. At the beginning, Natasha describes Andrew as her college sweetheart, colleague, and friend turned faithless spouse. Later on, the narrative hints that Andrew’s extramarital affairs were condoned by Natasha, their own union platonic, and their divorce amicable.
The story also implied that Natasha’s interest in Lydia was more superficial while Lydia was truly in love with Natasha during their heyday, even though Natasha has never moved past her feelings for Lydia. It read like, from chapter to chapter, the author couldn’t decide who Natasha truly loved and who Natasha used. I normally enjoy the complexities related to sexually fluid characters. I think the author wanted to convey Natasha loved Andrew and Lydia, but this wasn’t addressed in a way I found credible.
Editorial problems included awkward word/phrase use and repetition. I’ve decided to only “count” technical issues if they are glaring and frequent enough to actively interfere with my reading enjoyment. Given this story’s size (approximately 7,000 words,) I felt too much error/awkwardness made it to the final copy. I’m unhappy saying that; Houston’s talent shines in this story, and a conscientious “polish” would have made all the difference.
An issue that might irk some readers is the low percentage of dialogue involved in the story’s word count. This worked, in my opinion; it increased the aura of isolation contributing to the story’s horror element. Since trends in popular fiction indicate preference for lots of dialogue, the silence might be an issue to some.
This story appealed to me. It has that “something” capable of engaging me through the read. I’m not blind to its faults, but the beautiful tone and voice combined with emotional subtlety and good horror elements outweigh its flaws.
I recommend The Life Not Lived to readers seeking a pleasant, entertaining quick adult fairy tale, keeping in mind fairy tales contain creepy moments.
Heat level: Erotic
Grade: C +
by Michelle Houston
February 2010
Erotic romance, lesbian romance, paranormal/horror romance
Short Story (27 pages) 7K words
Ebook- Phaze Publishing
Guest Review by M.A.
Buy it Phaze, ARe, Fictionwise
We all have those moments in our lives we wish we could take back. Natasha has come to regret the choices she has made in her life, the biggest one being turning away from the one woman she had ever loved. But thanks to a late night visit from a succubus and a magical diary that found its way into her life, she can have a second chance. If she¬s willing to take a leap of faith...
I’ve read The Life Not Lived a few times and mulled over how to grade it. This short story qualifies as an “almost-book,” imperfect in places, but still likeable enough I want to recommend it.
Houston’s lyrical “voice” is a pleasure to read. Its cadence best compares to rainfall or the waft of soft piano music from a distant room. Her storytelling resonates with beautiful, subtle imagery. I often visualized specific scenes as though they’d been shot with soft-focus effects. Dream-like, no harsh edges.
Like many good short works, The Life Not Lived relies upon scene/setting, atmosphere, and emotion to build itself. Houston’s talent shines in her ability to craft a tale where 95% of the action occurs in a single location – the protagonist’s home – without ever inducing claustrophobic tension. Sufficient description illustrates Natasha’s world without overwhelming the plot.
Natasha is a convincing, well-drawn protagonist with whom many readers can identify. Recently divorced and approaching middle life, the successful professor/scientist contemplates past mistakes as she refurnishes her home. Years ago she broke off a romance with her college roommate, Lydia, in favor of marriage to Andrew because she viewed heterosexual marriage as a social and professional advantage. The selection of career over love haunts Natasha, and her recent acquisition of an old diary boasting paranormal properties may offer her a second chance for true happiness … if Natasha pays an unspecified price.
Self-doubt and fear of the unknown cook conflict through the storyline. A demonic visitor’s revelation of Lydia’s awful fate raises the stakes as Natasha reconsiders the toughest choice she ever made. As a horror fan, I enjoyed the subtle terror these elements added to the narrative. Great payoff followed great tension, but Houston remained true to the romance genre and provided readers with a happy ending. In a manner of speaking.
The Life Not Lived is marketed as erotic romance. It contains brief explicit content, including masturbation and f/f(demon) erotica. I viewed the erotica as neutral and a little gratuitous, not integral to the plot. It disappointed me that none of the erotica portrayed Natasha and Lydia together. Technically the “demon lover” contains an aspect of Lydia, but it was concealed to the point Natasha did not recognize her. In my opinion, an erotic romance featuring a character willing to seriously consider altering fate for a lost true love should contain the couple’s lovemaking.
The beautiful, flowing qualities of Houston’s storytelling do hit some awkward “bumps” at times. The plot lacked consistency concerning Natasha’s relationships with Lydia and with Andrew. At the beginning, Natasha describes Andrew as her college sweetheart, colleague, and friend turned faithless spouse. Later on, the narrative hints that Andrew’s extramarital affairs were condoned by Natasha, their own union platonic, and their divorce amicable.
The story also implied that Natasha’s interest in Lydia was more superficial while Lydia was truly in love with Natasha during their heyday, even though Natasha has never moved past her feelings for Lydia. It read like, from chapter to chapter, the author couldn’t decide who Natasha truly loved and who Natasha used. I normally enjoy the complexities related to sexually fluid characters. I think the author wanted to convey Natasha loved Andrew and Lydia, but this wasn’t addressed in a way I found credible.
Editorial problems included awkward word/phrase use and repetition. I’ve decided to only “count” technical issues if they are glaring and frequent enough to actively interfere with my reading enjoyment. Given this story’s size (approximately 7,000 words,) I felt too much error/awkwardness made it to the final copy. I’m unhappy saying that; Houston’s talent shines in this story, and a conscientious “polish” would have made all the difference.
An issue that might irk some readers is the low percentage of dialogue involved in the story’s word count. This worked, in my opinion; it increased the aura of isolation contributing to the story’s horror element. Since trends in popular fiction indicate preference for lots of dialogue, the silence might be an issue to some.
This story appealed to me. It has that “something” capable of engaging me through the read. I’m not blind to its faults, but the beautiful tone and voice combined with emotional subtlety and good horror elements outweigh its flaws.
I recommend The Life Not Lived to readers seeking a pleasant, entertaining quick adult fairy tale, keeping in mind fairy tales contain creepy moments.
Heat level: Erotic
Grade: C +
Wednesday, April 21, 2010
Review- What She Needs by Lacey Alexander
What She Needs
by Lacy Alexander
Nov, 2009
Contemporary/Erotica/BDSM/m/f, f/f
304 pg.- Penguin Group
Buy it Amazon, B&N, Borders
By Guest Reviewer- Jill Sorenson
The author of "The Bikini Diaries" now invites readers to an erotic hotel where sensual satisfaction is the main amenity...
Mild-mannered Jenna Banks never considered sex a recreational sport-until she wins a two-week stay at the notorious Hotel Erotique, where every sexual fantasy comes true-in room after room, with stranger after stranger. Even more unnerving for Jenna is Brent Powers, her wildly sensual personal guide who can't wait to put his degree in sexual psychology to work. But with the steady seduction of Jenna come feelings that neither expected. Where will the ultimate fantasy take them?
I’m going to preface this review with a confession. LVLM asked if I wanted to be added to the sidebar, and I said yes. But I don’t know if I belong there. I’m an infrequent contributor, and most of the f/f I read is in m/f books. I’ve never actually read a lesbian romance! I have a few in my digital library, but I’m not a big ebook reader. I also tend to gravitate towards straight or bisexual female characters, because I think I’ll be able to relate to them better. I’m new to this subgenre and just sort of experimenting with it. I hope to read and review of a “real” f/f novel sometime in the future. Stay tuned?
Okay, so even an ingénue like me knows that good f/f is hard to find. I’m always looking for m/f erotic romance with f/f scenes or ménage situations, but the blurb rarely hints at that kind of material. Reviewers don’t mention it. Authors keep quiet. Shhh! It’s dirty. ;)
I got an f/f vibe from a review (can’t remember where) of What She Needs. Really, a person has to be psychic to figure these things out. Anyway, I ordered this book hoping it might have some light girl-on-girl, and I was pleasantly surprised. The f/f content is a good portion, maybe 25%. Although the type of contact isn’t as intense as I’d have liked, and the emotional connection between the women is nonexistent, I really enjoyed this story.
To set it up, Jenna Banks wins a surprise vacation to the Hotel Erotique, where all of her sexual dreams can come true. She intends to turn down the sex and enjoy the beach, but her handsome guide, Brent Powers, is impossible to resist. Jenna admits that she wants to relinquish control, and Brent is happy to direct her. If you’re squeamish about BDSM, group sex, m/m, or multiple partners, this story is not for you. It’s all a bit of a smorgasbord, to be honest, and plays out as more of a spicy fantasy than a deep-seated need for Jenna. She acts as the submissive, and is aroused by Brent’s orders, but this is not a permanent lifestyle switch for her.
Most of Jenna’s contact with other women is orchestrated by Brent. There’s a harem scene, a sensual massage, and a very sexy encounter at a private pool. The turn-on, for Jenna, is performing for Brent. At times, I found her lack of engagement unsatisfying. She’s okay with receiving oral sex, but not giving it. During the pool scene, there’s a third woman hanging around for no reason, and Brent watches from a distance. I wanted Jenna to get her groove on without these distractions, to find pleasure in another woman for herself.
The romance portion is well done. Jenna and Brent negotiate the sexual relationship like reasonable adults, use safe words, and constantly reevaluate each other. It turns out that Brent needs to change just as much as Jenna, if not more. I appreciated that the story wasn’t just a “good girl gone bad” meets “all-knowing sensual master.” Brent isn’t perfect, and the concession he makes at the end totally worked for me.
All in all, What She Needs is a very steamy read with some nice f/f scenes.
Grade: B+
by Lacy Alexander
Nov, 2009
Contemporary/Erotica/BDSM/m/f, f/f
304 pg.- Penguin Group
Buy it Amazon, B&N, Borders
By Guest Reviewer- Jill Sorenson
The author of "The Bikini Diaries" now invites readers to an erotic hotel where sensual satisfaction is the main amenity...
Mild-mannered Jenna Banks never considered sex a recreational sport-until she wins a two-week stay at the notorious Hotel Erotique, where every sexual fantasy comes true-in room after room, with stranger after stranger. Even more unnerving for Jenna is Brent Powers, her wildly sensual personal guide who can't wait to put his degree in sexual psychology to work. But with the steady seduction of Jenna come feelings that neither expected. Where will the ultimate fantasy take them?
I’m going to preface this review with a confession. LVLM asked if I wanted to be added to the sidebar, and I said yes. But I don’t know if I belong there. I’m an infrequent contributor, and most of the f/f I read is in m/f books. I’ve never actually read a lesbian romance! I have a few in my digital library, but I’m not a big ebook reader. I also tend to gravitate towards straight or bisexual female characters, because I think I’ll be able to relate to them better. I’m new to this subgenre and just sort of experimenting with it. I hope to read and review of a “real” f/f novel sometime in the future. Stay tuned?
Okay, so even an ingénue like me knows that good f/f is hard to find. I’m always looking for m/f erotic romance with f/f scenes or ménage situations, but the blurb rarely hints at that kind of material. Reviewers don’t mention it. Authors keep quiet. Shhh! It’s dirty. ;)
I got an f/f vibe from a review (can’t remember where) of What She Needs. Really, a person has to be psychic to figure these things out. Anyway, I ordered this book hoping it might have some light girl-on-girl, and I was pleasantly surprised. The f/f content is a good portion, maybe 25%. Although the type of contact isn’t as intense as I’d have liked, and the emotional connection between the women is nonexistent, I really enjoyed this story.
To set it up, Jenna Banks wins a surprise vacation to the Hotel Erotique, where all of her sexual dreams can come true. She intends to turn down the sex and enjoy the beach, but her handsome guide, Brent Powers, is impossible to resist. Jenna admits that she wants to relinquish control, and Brent is happy to direct her. If you’re squeamish about BDSM, group sex, m/m, or multiple partners, this story is not for you. It’s all a bit of a smorgasbord, to be honest, and plays out as more of a spicy fantasy than a deep-seated need for Jenna. She acts as the submissive, and is aroused by Brent’s orders, but this is not a permanent lifestyle switch for her.
Most of Jenna’s contact with other women is orchestrated by Brent. There’s a harem scene, a sensual massage, and a very sexy encounter at a private pool. The turn-on, for Jenna, is performing for Brent. At times, I found her lack of engagement unsatisfying. She’s okay with receiving oral sex, but not giving it. During the pool scene, there’s a third woman hanging around for no reason, and Brent watches from a distance. I wanted Jenna to get her groove on without these distractions, to find pleasure in another woman for herself.
The romance portion is well done. Jenna and Brent negotiate the sexual relationship like reasonable adults, use safe words, and constantly reevaluate each other. It turns out that Brent needs to change just as much as Jenna, if not more. I appreciated that the story wasn’t just a “good girl gone bad” meets “all-knowing sensual master.” Brent isn’t perfect, and the concession he makes at the end totally worked for me.
All in all, What She Needs is a very steamy read with some nice f/f scenes.
Grade: B+
Sunday, April 18, 2010
Review- Femme Noir by Clara Nipper
Femme Noir
by Clara Nipper
Sept 2009
Contemporary (period)/ Lesbian/ Interracial/ Erotica
287 pg.- $12.95
Bold Strokes Books
Ebook version
Buy it Amazon (paper), ARe (ebook)
Womanizing tough broad Nora Delaney meets her match in Max Abbott, a sex-crazed dame who may or may not have the information Nora needs to solve a murder—but can she contain her lust for Max long enough to find out?
Dames, booze, and murder is the oldest story in the book, but this time, it happens too fast to Nora Delaney, who is a notorious womanizing college basketball coach. After her ex is found murdered, Nora chases the scent all the way from Los Angeles to Tulsa to find some right angles in this nasty business, only to be waylaid by a gorgeous, gin-swilling skirt who has information as well as an appetite for women like Nora.
Filled with cock-eyed optimism, vivid sexual fantasy, tough broads, and big babes who know their ways around drinks, trash talk, and murder, Femme Noir is a wry homage to retro outlooks of a bygone tough guy/femme fatale age. If you like sex and humor, this book is for you.
Yeah, um… I don’t quite know what to say about this book. It’s kind of all over the place with every cliché out there. But that over the top way about it was also what kept me interested in this book.
First, the blurb makes this book sound more exciting and noir-ish than it is. I bought this book because of the blurb. I really like noir and was hoping that it would be a female or lesbian version of the typical 40’s private dick type of book. Yes, it is sort of, in feel. Apparently, the paper version is done in old style typing font to add to the ambience I guess. For me though, I think the author took a risk that worked in some parts but were too ridiculous in others.
Let’s start with Nora. She’s a tough talking woman; a player who’s not too interested in the feelings of her partners. While it does seem like she doesn’t really care about anyone, we do get to see that Nora is not as tough as she likes to come across. She gets knocked for a loop a time or two, which I thought made her a bit more real and less a caricature.
She's gone to Tulsa to find out what happened to her ex, Michelle, who was murdered just after calling Nora one night. One thing I didn't get here was why. She and Michelle had an acrimonious split and Michelle wasn't exactly Mother Theresa with Nora, so that was missing for me. Why?
One thing I need to bring up, only because it’s mentioned over and over and over again is that Nora is a black woman. She makes reference to it many times describing her beautiful black body and the women she comes across mention it as well with various old school and modern descriptions for a person of color. She brings up racial discrimination on a regular basis, so there’s much ado about race in this story, which I think was both interesting and distracting.
The noir part of this story is that it’s set in some time anywhere between the 40’s and 90’s although no references were made to cell phones or such modern things that would give it a completely contemporary feel. Unfortunately, mostly this came off as a B grade 70’s flick with Nora using language typical to Blaxploitation films of the time. While she brings up quite often prejudices she’s faced, she also acts in a reverse prejudicial way, with stereotypical ideas of country people.
Racial or sexual blurbs:
“No you ain’t , cracker!
“Oh Tanya, honey chile!”
“You want me to call some brothers to take care of this cootchie for you?”
“Of course.” Tonya sat on the bed , crossing her molasses-colored legs in a breathtaking way.” (cinnamon and chocolate were used as well to describe Nora)
“Friend. You want me to draw you a map to Max’s cootchi? Nigga be a man.”
“I guess you’re the furniture,” I said, our eye’s met.” “Guess you’re the negro,” she answered tranquilly.
“If a nigga could just get a motherfuckin’ breath!” I shouted, leaning on the car for support, filling my chest with soaked air. (she’s complaining about Tulsa’s crappy air and allergies, a constant theme throughout the book as well)
Reverse:
On a plane to Oklahoma:
“If it was going to be a crowded airplane, I expected barefoot hillbillies in overalls and live chickens under their arms.”
“You’re just a corn-fed butter-eater, aren’t you?”
She’s shocked to find all normal people on the plane. This is what had me wondering what time period this is happening in. Then at the airport she comments to herself many times about her being the only black person in Tulsa and that the only other ones there were all doing menial jobs. She teases and insults the locals treating them as ignorant backwater types saying she’s from Uganda, as if they would be stupid and think all black people are from Africa, when they ask where she’s from. She’s from L.A. where I guess in this particular time period, black people are abundant. She also seems to find it strange that people are so kind and helpful, another country stereotype.
I get that in noir, old school noir, social conscience in language use is non-existent, or that stereotypes can be exaggerated, but much of this was over the top and offensive in some parts. I won’t even get into all the butch/femme stereotypes and references, which were numerous.
Next are the gaggle of exotic and weird characters that Nora meets. She’s told to meet a woman who apparently has all the inside connections in the lesbian world in Tulsa so she can find out what’s happened with Michelle. She meets with some women in a bar who tell her where to meet this person, but this woman, while acting like a gang leader on the surface, is nothing special in the end. This group of women, all with different quirks, don’t really have much to do with the story and don’t really further the plot, but seem to be there mainly to showcase Nora’s tough talking and acting ways.
She does meet the owner of the bar, Lila who with her partner, Reese are characters in themselves. They talk like women from those 30’s films, which was confusing with the mix of 70's slang throughout the rest of the book:
“I don’t mean anything, darling. It’s such a marvelous party. And I love any excuse for a good party, don’t I Reese Angel?”
Reese pulled Lila back and wagged her finger in her face. “Lila, my queen, you mustn’t arouse suspicion. Remember whose girl you are.”
“What a bore. But as you wish, Reese Cup.” Lila grinned at me but then stood straight and solemn with a pouty mouth to face Reese. “I’m a harmless flirt. Simply everybody says so. You’re such a square.”
Then there is Max. According to the blurb, Max is a sex-crazed dame. Um, no. She’s more an elusive 30's type woman who sort of engages Nora in a sexual flirtation, but is not as mysterious as the author tried to portray her. Mostly, Nora has it bad for Max, but her interactions with Max are mostly through Nora’s fantasy life. She imagines conversations and sex with Max throughout the book, while Max herself comes only as close as she wishes.
One other thing that drove me nuts throughout this whole book was Nora’s constant search for a cigarette. She’s so proud that she hasn’t bought a pack of ciggys in a year, trying to quit. And yet, she's either thinking about having a ciggy, craving a ciggy, begging for a ciggy, or smoking a ciggy at every single turn. Really, I wanted to just say buy a dammed pack of ciggy’s a smoke to your heart’s content. Personally, I thought it was a plot device to make Nora a bit more stereotypically hard-nosed, but mostly it got on my nerves.
On to good things about this story, I did enjoy Clara Nipper’s writing style. She came out with some really colorful phrasing that grabbed me:
“Just great. They’re going places, I think” I put my face in my drink as if it were an oxygen mask.”
“In spite of myself, I laughed and slapped Ava-Suzanne on the back. As if they were monkey’s following the group, everyone else laughed too.”
In the end, there is character growth, which I liked as well. Nora gets in touch with things about herself that she’s denied, like wanting family and people that really care about her. This is one of the main things that kept me hooked into this story, besides the quirkiness of a lot of it. And it did have a certain unique ambience to it that made it interesting enough to keep reading.
I think if you’re looking for a different kind of read, one that takes you on a wild trip with odd characters, this book will be good. There’s no romance in this story though, so if you’re looking for that, it’s not happening.
Heat level: 5 --There are some very graphic sexual scenarios although not an excessive amount.
Grade: C+
by Clara Nipper
Sept 2009
Contemporary (period)/ Lesbian/ Interracial/ Erotica
287 pg.- $12.95
Bold Strokes Books
Ebook version
Buy it Amazon (paper), ARe (ebook)
Womanizing tough broad Nora Delaney meets her match in Max Abbott, a sex-crazed dame who may or may not have the information Nora needs to solve a murder—but can she contain her lust for Max long enough to find out?
Dames, booze, and murder is the oldest story in the book, but this time, it happens too fast to Nora Delaney, who is a notorious womanizing college basketball coach. After her ex is found murdered, Nora chases the scent all the way from Los Angeles to Tulsa to find some right angles in this nasty business, only to be waylaid by a gorgeous, gin-swilling skirt who has information as well as an appetite for women like Nora.
Filled with cock-eyed optimism, vivid sexual fantasy, tough broads, and big babes who know their ways around drinks, trash talk, and murder, Femme Noir is a wry homage to retro outlooks of a bygone tough guy/femme fatale age. If you like sex and humor, this book is for you.
Yeah, um… I don’t quite know what to say about this book. It’s kind of all over the place with every cliché out there. But that over the top way about it was also what kept me interested in this book.
First, the blurb makes this book sound more exciting and noir-ish than it is. I bought this book because of the blurb. I really like noir and was hoping that it would be a female or lesbian version of the typical 40’s private dick type of book. Yes, it is sort of, in feel. Apparently, the paper version is done in old style typing font to add to the ambience I guess. For me though, I think the author took a risk that worked in some parts but were too ridiculous in others.
Let’s start with Nora. She’s a tough talking woman; a player who’s not too interested in the feelings of her partners. While it does seem like she doesn’t really care about anyone, we do get to see that Nora is not as tough as she likes to come across. She gets knocked for a loop a time or two, which I thought made her a bit more real and less a caricature.
She's gone to Tulsa to find out what happened to her ex, Michelle, who was murdered just after calling Nora one night. One thing I didn't get here was why. She and Michelle had an acrimonious split and Michelle wasn't exactly Mother Theresa with Nora, so that was missing for me. Why?
One thing I need to bring up, only because it’s mentioned over and over and over again is that Nora is a black woman. She makes reference to it many times describing her beautiful black body and the women she comes across mention it as well with various old school and modern descriptions for a person of color. She brings up racial discrimination on a regular basis, so there’s much ado about race in this story, which I think was both interesting and distracting.
The noir part of this story is that it’s set in some time anywhere between the 40’s and 90’s although no references were made to cell phones or such modern things that would give it a completely contemporary feel. Unfortunately, mostly this came off as a B grade 70’s flick with Nora using language typical to Blaxploitation films of the time. While she brings up quite often prejudices she’s faced, she also acts in a reverse prejudicial way, with stereotypical ideas of country people.
Racial or sexual blurbs:
“No you ain’t , cracker!
“Oh Tanya, honey chile!”
“You want me to call some brothers to take care of this cootchie for you?”
“Of course.” Tonya sat on the bed , crossing her molasses-colored legs in a breathtaking way.” (cinnamon and chocolate were used as well to describe Nora)
“Friend. You want me to draw you a map to Max’s cootchi? Nigga be a man.”
“I guess you’re the furniture,” I said, our eye’s met.” “Guess you’re the negro,” she answered tranquilly.
“If a nigga could just get a motherfuckin’ breath!” I shouted, leaning on the car for support, filling my chest with soaked air. (she’s complaining about Tulsa’s crappy air and allergies, a constant theme throughout the book as well)
Reverse:
On a plane to Oklahoma:
“If it was going to be a crowded airplane, I expected barefoot hillbillies in overalls and live chickens under their arms.”
“You’re just a corn-fed butter-eater, aren’t you?”
She’s shocked to find all normal people on the plane. This is what had me wondering what time period this is happening in. Then at the airport she comments to herself many times about her being the only black person in Tulsa and that the only other ones there were all doing menial jobs. She teases and insults the locals treating them as ignorant backwater types saying she’s from Uganda, as if they would be stupid and think all black people are from Africa, when they ask where she’s from. She’s from L.A. where I guess in this particular time period, black people are abundant. She also seems to find it strange that people are so kind and helpful, another country stereotype.
I get that in noir, old school noir, social conscience in language use is non-existent, or that stereotypes can be exaggerated, but much of this was over the top and offensive in some parts. I won’t even get into all the butch/femme stereotypes and references, which were numerous.
Next are the gaggle of exotic and weird characters that Nora meets. She’s told to meet a woman who apparently has all the inside connections in the lesbian world in Tulsa so she can find out what’s happened with Michelle. She meets with some women in a bar who tell her where to meet this person, but this woman, while acting like a gang leader on the surface, is nothing special in the end. This group of women, all with different quirks, don’t really have much to do with the story and don’t really further the plot, but seem to be there mainly to showcase Nora’s tough talking and acting ways.
She does meet the owner of the bar, Lila who with her partner, Reese are characters in themselves. They talk like women from those 30’s films, which was confusing with the mix of 70's slang throughout the rest of the book:
“I don’t mean anything, darling. It’s such a marvelous party. And I love any excuse for a good party, don’t I Reese Angel?”
Reese pulled Lila back and wagged her finger in her face. “Lila, my queen, you mustn’t arouse suspicion. Remember whose girl you are.”
“What a bore. But as you wish, Reese Cup.” Lila grinned at me but then stood straight and solemn with a pouty mouth to face Reese. “I’m a harmless flirt. Simply everybody says so. You’re such a square.”
Then there is Max. According to the blurb, Max is a sex-crazed dame. Um, no. She’s more an elusive 30's type woman who sort of engages Nora in a sexual flirtation, but is not as mysterious as the author tried to portray her. Mostly, Nora has it bad for Max, but her interactions with Max are mostly through Nora’s fantasy life. She imagines conversations and sex with Max throughout the book, while Max herself comes only as close as she wishes.
One other thing that drove me nuts throughout this whole book was Nora’s constant search for a cigarette. She’s so proud that she hasn’t bought a pack of ciggys in a year, trying to quit. And yet, she's either thinking about having a ciggy, craving a ciggy, begging for a ciggy, or smoking a ciggy at every single turn. Really, I wanted to just say buy a dammed pack of ciggy’s a smoke to your heart’s content. Personally, I thought it was a plot device to make Nora a bit more stereotypically hard-nosed, but mostly it got on my nerves.
On to good things about this story, I did enjoy Clara Nipper’s writing style. She came out with some really colorful phrasing that grabbed me:
“Just great. They’re going places, I think” I put my face in my drink as if it were an oxygen mask.”
“In spite of myself, I laughed and slapped Ava-Suzanne on the back. As if they were monkey’s following the group, everyone else laughed too.”
In the end, there is character growth, which I liked as well. Nora gets in touch with things about herself that she’s denied, like wanting family and people that really care about her. This is one of the main things that kept me hooked into this story, besides the quirkiness of a lot of it. And it did have a certain unique ambience to it that made it interesting enough to keep reading.
I think if you’re looking for a different kind of read, one that takes you on a wild trip with odd characters, this book will be good. There’s no romance in this story though, so if you’re looking for that, it’s not happening.
Heat level: 5 --There are some very graphic sexual scenarios although not an excessive amount.
Grade: C+
Wednesday, April 14, 2010
Review- Last Call by Leigh Ellwood
Last Call
by Leigh Ellwood
Dec. 2009
Contemporary/ f/f
8.4K words- $. 99
Ebook- DLP Books
Buy it DLP Books, ARe, Amazon Kindle
Dejected and depressed, Janet Stanton hopes her nightly walk will improve her mood. The end of the road leads her to her best friend and a shocking revelation that could change her life. Is Janet willing to take that important first step toward love, or will she miss the last call?
Last Call is very sweet, loving story. There’s no angst or drama, it’s just two women who’ve been friends forever opening up to each other sexually in an easy, soft way.
Once again, I really enjoyed Leigh Ellwood’s writing. There’s just something about the way she writes a story that sucks me in and makes me feel really comfortable. I like these characters and feel their lives are something I’ve been a part of for a long time.
This is a short story (again, a half hour read), and yet, I know so much about Janet. Right from the beginning, the detailed description of her life and who she is grabbed me right way and I was invested in what happens to her and curious about what happens next.
Janet is a simple, good woman who’s life is going nowhere. She’s stuck taking care of her father’s business while being treated like crap and she lives in a trailer park, which her lazy bum boyfriend hangs out in all the time. She’s in a slump, but doesn’t really know how to get out.
Sarah is Janet’s best friend from childhood. She’s got dreams of starting a new business and knowing that Janet is not happy, offers to share the business and an apartment, something they fantasized about when they were still teens. While giving Janet some girlfriend therapy after Janet gets fed up with her boyfriend one night, the comfort heads into a more person arena.
What was so nice about how that was written was that it was no big deal. They ease into it very gently as if it were the most natural thing to do. Janet had no idea that Sarah wanted her all along because being a good friend, Sarah wanted Janet to be happy, so she never shared what she felt. I loved the fact that there was no internal freaking out on Janet’s part. She sees that Sarah gets her and really wants her and becomes her lover with nary a hint of regret.
Thankfully there wasn't any drama for a change. No “oh noes, I’m gay,” and no big shock and betrayal at finding out that Sarah was gay all along. Just two friends taking it to the next level.
What I also liked was that while Sarah is gay, she’s never been attracted to any other women. She’s wanted Janet since they were teens and she’s stuck with that, not going out and exploring with other women. So they are both exploring what it is to be with a woman for the first time.
I'm rather partial to a character who is clear they want someone and they stick to it. There is something about someone who wants you and wants you so much that no one else will do. What can I say, it's an appealing characteristic.
Last Call is a definite recommend if you want a feel good quickie that’s soft and loving around the edges but not all gooey sappy.
Heat Level: 4- some graphic sexual language, but mostly this is written in softer sensual language.
Grade: B+
by Leigh Ellwood
Dec. 2009
Contemporary/ f/f
8.4K words- $. 99
Ebook- DLP Books
Buy it DLP Books, ARe, Amazon Kindle
Dejected and depressed, Janet Stanton hopes her nightly walk will improve her mood. The end of the road leads her to her best friend and a shocking revelation that could change her life. Is Janet willing to take that important first step toward love, or will she miss the last call?
Last Call is very sweet, loving story. There’s no angst or drama, it’s just two women who’ve been friends forever opening up to each other sexually in an easy, soft way.
Once again, I really enjoyed Leigh Ellwood’s writing. There’s just something about the way she writes a story that sucks me in and makes me feel really comfortable. I like these characters and feel their lives are something I’ve been a part of for a long time.
This is a short story (again, a half hour read), and yet, I know so much about Janet. Right from the beginning, the detailed description of her life and who she is grabbed me right way and I was invested in what happens to her and curious about what happens next.
Janet is a simple, good woman who’s life is going nowhere. She’s stuck taking care of her father’s business while being treated like crap and she lives in a trailer park, which her lazy bum boyfriend hangs out in all the time. She’s in a slump, but doesn’t really know how to get out.
Sarah is Janet’s best friend from childhood. She’s got dreams of starting a new business and knowing that Janet is not happy, offers to share the business and an apartment, something they fantasized about when they were still teens. While giving Janet some girlfriend therapy after Janet gets fed up with her boyfriend one night, the comfort heads into a more person arena.
What was so nice about how that was written was that it was no big deal. They ease into it very gently as if it were the most natural thing to do. Janet had no idea that Sarah wanted her all along because being a good friend, Sarah wanted Janet to be happy, so she never shared what she felt. I loved the fact that there was no internal freaking out on Janet’s part. She sees that Sarah gets her and really wants her and becomes her lover with nary a hint of regret.
Thankfully there wasn't any drama for a change. No “oh noes, I’m gay,” and no big shock and betrayal at finding out that Sarah was gay all along. Just two friends taking it to the next level.
What I also liked was that while Sarah is gay, she’s never been attracted to any other women. She’s wanted Janet since they were teens and she’s stuck with that, not going out and exploring with other women. So they are both exploring what it is to be with a woman for the first time.
I'm rather partial to a character who is clear they want someone and they stick to it. There is something about someone who wants you and wants you so much that no one else will do. What can I say, it's an appealing characteristic.
Last Call is a definite recommend if you want a feel good quickie that’s soft and loving around the edges but not all gooey sappy.
Heat Level: 4- some graphic sexual language, but mostly this is written in softer sensual language.
Grade: B+
Monday, April 12, 2010
Yes, I'm not around these days
No this pic has nothing to do with anything. I was looking for a pic using the search term "busy" and this came up. Seriously? Busy showers? I wonder what type of place this is? Maybe a swimming pool shower?
Sorry folks, but I'm so swamped with school work this quarter having taken more credits than the norm for full time. Shamefully, I'm still reading the same book I've been reading for two weeks. Alas, no time for it.
So, I'm stealing other bloggers' posts to offer something.
Today on AfterEllen, there were two articles posted about why more females are coming out as lesbian or bisexual these days.
The first guy from Psychology Today posted this.
I read it first and took umbrage to a few things. Particularly to his correlation that teenage boys watching porn makes girls come out as lesbian or bisexual. That was totally off to me. So, boys looking at porn makes girls gay or bisexual? That makes TOTAL sense. :/ sarcasm.
And guys have been jerks all through history and still the majority of women are heterosexual, so guys being jerks aren't the reason either. Although I suspect it's the reason some women turn to other women in some cases.
Then I read an article from Psych Central, which disputes the first article. You can read it here.
I think their version is more correct. I agree and think that women's sexuality is more malleable and that women are more likely to be open to blurring the boundaries than men. And, we are living in a time when it's more acceptable to be out there.
The other day in school, a girl was sharing that her friend buys from estate sales and she read a diary of a woman who lived to be 90 years old and died years ago. In this diary, this women wrote how even though she was married, she had a long term lesbian affair. She wrote how it had to be kept quite and that they never spoke of it to anyone. This woman also said that having to sneak around and having such an illicit affair was part of the attraction and fun.
This classmate telling this was shocked at that. But for me, I was a bit fascinated. I would love to read that diary. It goes show that yes, there have been lesbians and bisexuals all along, it's just never been OK to announce it to the world.
On to other things: Leigh Ellwood has a new book out- I rather liked the one short story she wrote Where Angels Dare to Tread so I'll probably give this one a shot.
Share Some More
F/F
$.79 at DLP Store
The sequel to Share. Marissa enjoys her friends with benefits arrangement with roommate Nell, but lately the twinge of jealousy makes it difficult to have fun. Between a professor persistent on employing her for dubious acts and her jealousy toward the latest object of Nell's affection, Marissa wonders how much longer she can share herself. Will she stop, or risk it all to share her love with Nell?
By the way- I went to DLP books, where this one is sold and all of Ms. Ellwood's books are sold there cheaper than ARe, or Fictionwise. And she uses paypal, so no need to worry if you don't want to give information.
Other F/F by Leigh Ellwood:
Share
F/F
$. 79 at DLP
Desperate to achieve release with a little help from her trusty toy, Marissa tries to be discreet and not disturb her roommate. Nell, however, is quick to convince Marissa to change her plans…and to share more than her battery-operated pet.
Last Call
F/F
$. 79 DLP Books
Dejected and depressed, Janet Stanton hopes her nightly walk will improve her mood. The end of the road leads her to her best friend and a shocking revelation that could change her life. Is Janet willing to take that important first step toward love, or will she miss the last call?
I have this book, but haven't read it yet.
Another book coming out from Loose-Id, but I'm not sure when as there's no date attached, is this one.
Dancing with Venus
by Roscoe James
Lesbian or f/f, don't know yet
Loose-ID
No info on this one yet: neither price, nor blurb, nor date coming out. But click the title above to get to the page for it.
I have heard that a man wrote this, which makes me a bit curious. I think so far I've only read one f/f from a man, Blood Creek Haunting. I thought the f/f relationship in that book was nicely done. So it could be interesting.
F/F
$. 79 DLP Books
Dejected and depressed, Janet Stanton hopes her nightly walk will improve her mood. The end of the road leads her to her best friend and a shocking revelation that could change her life. Is Janet willing to take that important first step toward love, or will she miss the last call?
I have this book, but haven't read it yet.
Another book coming out from Loose-Id, but I'm not sure when as there's no date attached, is this one.
Dancing with Venus
by Roscoe James
Lesbian or f/f, don't know yet
Loose-ID
No info on this one yet: neither price, nor blurb, nor date coming out. But click the title above to get to the page for it.
I have heard that a man wrote this, which makes me a bit curious. I think so far I've only read one f/f from a man, Blood Creek Haunting. I thought the f/f relationship in that book was nicely done. So it could be interesting.
Tuesday, April 6, 2010
Review- Loving Ellie by Dalia Craig
Loving Ellie
by Dalia Craig
2009
Contemporary/ f/f, erotic
5K- $2
eBook- Loveyoudivine
Buy it Loveyoudivine, ARe, Fictionwise
Two women thrown together by circumstance fight their attraction for each other.
When banker Taylor Hendry swaps jobs and apartments with her colleague, Samantha Crighton it seems a good deal until she meets Samantha’s flat mate, Ellie. Taylor lusts after Ellie, from the outset, but is wary of emotional involvement with this tall, dark, sexy, femme after Sam warned her not to mess with Ellie’s vulnerable emotions.
Journalist, Ellie Lawrence, finds her attraction to Taylor confusing. She’s never had a lesbian relationship, not even a girl crush; but Taylor’s arrival provokes intense sexual feelings, which clamor for fulfillment. For the first time in her life, she wants to have full-on mad passionate sex with a woman.
Loving Ellie is a really short quickie that had a nice feel to it even though it had no plot nor character development.
OK, about the story. It’s cute. It’s rather sweet. It will take you about ½ hour to read.
Although written in third person, it starts out from Taylor’s POV. She’s a lesbian, I guess. She talks in lesbian speak about Ellie being a femme, the kind she likes. Taylor’s friend Sam, who is Ellie’s best friend from childhood and whom she lived with is also a lesbian, so I thought that Ellie must be a lesbian too.
Yes, yes, it’s in the blurb that she’s not, but I didn’t read the blurb. Or I did a long time ago and forgot about it.
About midway through the story, the POV switches to inside Ellie’s head and where she’s coming from. She’s suddenly attracted to Taylor, the first women she’s ever had any sexual/romantic attraction to and finds herself a bit shocked at her depth of “sexual” attraction for a woman. She’s also not too sure that Taylor is a lesbian, so she’s not clear if she should go with her sexual desires one night after getting drunk at a party they both go to or not. Hmmm…
As far as the writing goes, this was mostly a narrative of each girl’s story with about 5 lines of dialogue. Just a basic set up for the sex really. I would have liked more dialogue as a way to build up the sexual tension and maybe an emotional connection, but alas.
There is a sex scene. Yes, in this short story their first sexual encounter is included but there was no tension really. They meet and we are told that Taylor is really hot for Ellie. Then we are told that Ellie is turned on by Taylor and they do it. End of story.
I will say that it was nicely written though in the way that I didn’t feel pissed off or cheated like I usually do with a story so lacking in any development. I was left feeling good afterward about my 1/2 hour of reading this. But still, I prefer to have dialogue and action to see where the characters are coming from.
Two tropes that I’ve come to know from many f/f are in this: orgasm has never happened with a man but magically happens with a woman, and the “I’m NOT a lesbian” angsting mantra.
Maybe one day I'll do a post on common tropes that I feel are lame short cuts to create tension and or a reason for straight chicks to suddenly be attracted to a woman instead of developing character motivations and psychology.
I’d recommend this to anyone who feels like a quickie f/f erotic story. You know, for when you’re waiting in line for something or taking a bath or for a nightcap.
Heat rating: 5- graphic sexual language with girl on girl. Masturbation, dildo
Grade: C+
by Dalia Craig
2009
Contemporary/ f/f, erotic
5K- $2
eBook- Loveyoudivine
Buy it Loveyoudivine, ARe, Fictionwise
Two women thrown together by circumstance fight their attraction for each other.
When banker Taylor Hendry swaps jobs and apartments with her colleague, Samantha Crighton it seems a good deal until she meets Samantha’s flat mate, Ellie. Taylor lusts after Ellie, from the outset, but is wary of emotional involvement with this tall, dark, sexy, femme after Sam warned her not to mess with Ellie’s vulnerable emotions.
Journalist, Ellie Lawrence, finds her attraction to Taylor confusing. She’s never had a lesbian relationship, not even a girl crush; but Taylor’s arrival provokes intense sexual feelings, which clamor for fulfillment. For the first time in her life, she wants to have full-on mad passionate sex with a woman.
Loving Ellie is a really short quickie that had a nice feel to it even though it had no plot nor character development.
OK, about the story. It’s cute. It’s rather sweet. It will take you about ½ hour to read.
Although written in third person, it starts out from Taylor’s POV. She’s a lesbian, I guess. She talks in lesbian speak about Ellie being a femme, the kind she likes. Taylor’s friend Sam, who is Ellie’s best friend from childhood and whom she lived with is also a lesbian, so I thought that Ellie must be a lesbian too.
Yes, yes, it’s in the blurb that she’s not, but I didn’t read the blurb. Or I did a long time ago and forgot about it.
About midway through the story, the POV switches to inside Ellie’s head and where she’s coming from. She’s suddenly attracted to Taylor, the first women she’s ever had any sexual/romantic attraction to and finds herself a bit shocked at her depth of “sexual” attraction for a woman. She’s also not too sure that Taylor is a lesbian, so she’s not clear if she should go with her sexual desires one night after getting drunk at a party they both go to or not. Hmmm…
As far as the writing goes, this was mostly a narrative of each girl’s story with about 5 lines of dialogue. Just a basic set up for the sex really. I would have liked more dialogue as a way to build up the sexual tension and maybe an emotional connection, but alas.
There is a sex scene. Yes, in this short story their first sexual encounter is included but there was no tension really. They meet and we are told that Taylor is really hot for Ellie. Then we are told that Ellie is turned on by Taylor and they do it. End of story.
I will say that it was nicely written though in the way that I didn’t feel pissed off or cheated like I usually do with a story so lacking in any development. I was left feeling good afterward about my 1/2 hour of reading this. But still, I prefer to have dialogue and action to see where the characters are coming from.
Two tropes that I’ve come to know from many f/f are in this: orgasm has never happened with a man but magically happens with a woman, and the “I’m NOT a lesbian” angsting mantra.
Maybe one day I'll do a post on common tropes that I feel are lame short cuts to create tension and or a reason for straight chicks to suddenly be attracted to a woman instead of developing character motivations and psychology.
I’d recommend this to anyone who feels like a quickie f/f erotic story. You know, for when you’re waiting in line for something or taking a bath or for a nightcap.
Heat rating: 5- graphic sexual language with girl on girl. Masturbation, dildo
Grade: C+