Criminal Gold
By Ann Aptaker
Nov 2014
Mystery/Era historical 1940’s/ Lesbian/ Crime/ Noir
264 pgs
Publisher: Bold Strokes Books
Kindle Edition
Midnight, New York Harbor, 1949. Cantor Gold, dapper dyke-about-town, smuggler of fine art, waits in her boat under the Brooklyn Bridge for racketeer Gregory Ortine. In the shadow of the bridge, he’ll toss Cantor a satchel of cash, and she’ll toss him a pouch containing a priceless jewel. But the plan, and the jewel, sink when a woman in a red sequined dress drops from the bridge and slams onto Cantor’s boat. She is Opal Shaw, Society Page darling and fiancĂ©e of murder-for-hire kingpin Sig Loreale. Through a night of danger, desire, and double-cross, Cantor must satisfy Loreale’s vengeance, stay ahead of an angry Ortine, and untangle the knots of murder tightening around Opal’s best friend and keeper of her dirty secrets, Celeste Copley, a seductress who excites Cantor’s passion but snares her in a labyrinth of lies. The lies explode in a collision of love, loyalty, lust…and death.
I became aware of this book before it came out and it’s one of those rare books with an unknown author to me that I know I want to read before it comes out. So I was quite excited to read it and it definitely hit the spot for me.
Basically the blurb gives a great idea of what this story is about and the all the main characters involved, so I’ll go more into what I enjoyed about it.
Mostly what I loved about this book was Cantor Gold as a character. She’s not that typical female protagonist/ heroine who does bad things for the greater good. No. She really is a badass, tough woman who makes no excuses for how she lives, what she’s done, and that she lives on the wrong side of the law. I liked this. I’m always fond of characters who don’t fit society’s expectations of what their role should be. Particularly I enjoy female characters that buck the Donna Reed ideal for women of this time period.
She’s also an out lesbian, which for the time period was very dangerous. And as the first scene in the book shows, could get you hurt, badly. But I loved that she dresses like a man and walks through her criminal world unabashedly lesbian and butch. While she is accepted as such in that world in the surface, of course, when push comes to shove she’s once again shown that she will never be accepted in any world due to that. And while it hurts her at times, she ultimately doesn’t care; it’s more important for her to be who she is.
She’s also ruled by her passions. Damn but I loved the scenes with her and Celeste. Even though Celeste is no one to be trusted---she’s definitely a femme fatale type with no loyalty to anyone--- Cantor finds herself fantasizing about all the delicious things she’d do with her. Cantor struggles internally with wanting to save Celeste, mainly because she feels attracted to her, but knowing what ultimately might/probably will happen.
But what’s also appealing about Cantor is that while she’s tough and is mostly out for herself and is portrayed as a player, she does find in the course of events she’s been thrust into that she cares more for Rosie, her current friend with benefits, than she thought. And there’s also a hint that she loved someone once very deeply, showing a more vulnerable side of her.
The language author Ann Aptaker uses is very colorful and evocative throughout, which added a lot to my enjoyment of this book. Particularly, even though not a romance or descriptive in terms of common erotic language, I found the dance between Cantor and Celeste to be somewhat erotic and, well, very entertaining:
“I hope you like Chivas,” I say, handing her a glass. “What’s not to like?” There’s nothing not to like. The whiskey is smooth, the woman sharing it with me is gorgeous, and the way the light from the desk lamp slides along her leg is picturesque. I wouldn’t mind taking my own ride along Celeste’s shapely calves.
…after I take the scenic route along her leg and continue up the rest of her, I finally arrive at her face, where on the other side of that hat veil her eyes accuse me of doing exactly what I am doing: undressing her mentally and having my way with her.”
Outside of some of the focus being on what’s going on through Cantor’s head about Celeste, this is a fast paced crime drama. As Cantor tries to figure how who actually killed Opal, while thinking it’s Celeste and trying to save her life, she falls into all kinds of situations that both luck and smarts get her out of. This story if rife with constant alliance shifts and betrayals in this underworld of criminals and I never really knew how it all might pan out. All of the characters are well-rounded, interesting and solid in who they are.
Almost as important as the language, characters, story, pacing, etc, Criminal Gold definitely had the feel of the time period. I could really imagine being in 1949 in NYC with those characters. The ambiance of it was perfect. Loved it.
Will definitely pick up the next book by this author.
Heat level: 0 – no sex, but a lot of linguistic foreplay.
Grade: 5 Stars
Showing posts with label Leah. Show all posts
Showing posts with label Leah. Show all posts
Saturday, January 24, 2015
Sunday, August 11, 2013
Review- Ghost Trio by Lillian Q. Irwin
Ghost Trio
By Lillian Q. Irwin
April 16, 2013
By Lillian Q. Irwin
April 16, 2013
Contemporary Gothic/ Lesbian/ Interracial/ mystery
264 pgs
Pub: Bold Strokes Books
264 pgs
Pub: Bold Strokes Books
Lee Howe, a professional pianist, comes to Southern
California from New York on a mournful mission: She believes that if she can
see the site where her beloved Devorah met her death, she will begin to accept
that she must move on with her own life. Devorah Manikian had been rehearsing
for a starring role in Carmen and was living in Eggerscliffe, a 1920s-style
pseudo-castle belonging to wealthy and eccentric impresario, Annajean Eggers.
Devorah was gone only a few weeks before Lee was notified that she was dead—killed
in a tower fire at Eggerscliffe. But as Lee stands alone on a deserted patch of
beach just below the castle, she hears Devorah singing. Is it the cocktail of
tranquilizers, sleeping pills, anti-depressants, and anti-anxiety drugs Lee has
been taking since the announcement of Devorah’s death that makes her
hallucinate her beloved’s voice—or is Devorah being kept a prisoner somewhere
in Eggerscliffe?
Wow, I really enjoyed this book. There are so many elements
to it that intrigued me and satisfied my love of a good mystery. There’s also a
romantic angle although it’s not a romance in the traditional sense.
It’s definitely gothic in feel even though a contemporary.
In fact, one of the pleasures about reading this book was not being too sure
what time period this is set in. My mind kept latching on to contradictions : mentions
of modern technology vs mentions of 1930’s Marlene Dietrich and clothing
styles, places. Even the way the characters spoke, language used without modern
colloquialisms, made me question the time period. Maybe it was also because
this story is set in the timeless world of classical music and musicians, which
has a cultured elegance of its own. It was like a mystery within a mystery.
Lee is the main character and it’s her passionate nature
that drives this story. This book starts out with Lee going to San Diego where
Devorah, her partner of 15 years has died, trying to get some closure. Maybe being in the physical place will help
her. At the bottom of the cliff below the castle where Devorah has died, she
hears her lover singing a favorite piece that they considered personal to them
as a couple and this starts her on the path of insisting that Devorah must be
alive. She’s so internally passionate about it that she’s willing to risk her
friends thinking she’s crazy, even thinking she’s crazy herself at times, never
being sure if it’s true.
What I liked about Lee is that she’s so determined. Her love
of Devorah after all those years together is still so intense that she will do
anything, even risking some possible danger to herself from Annajean, whom she
thinks has Devorah locked up somewhere in her home. Her intensity is such that
because it’s unknown if Devaroh is actually alive or not I wondered if really
she is the one losing it.
Annajean is clearly odd and a character that I wish the
authors had given more depth to. She’s the catalyst for all that is going on
and yet there’s not much about her background or what makes her tick. This is
the only negative thing I can say about this book. I was craving to know more
about her. The authors do give her a history, which sheds some light, but it’s
vague at the very most and I think she is such a delicious character that I
felt she warranted more depth. She’s also the main essence of this story being
a classic gothic story.
Since Devorah is also a huge part of the story but is not
present, I thought the authors did a great job with flashbacks to give the
reader a good feel for who Devorah is as well. Soon after Lee hears Devorah,
there’s a flashback to Lee and Devorah’s life together, who they are as people
and how it came about that Devorah left Lee to pursue a last chance at
fulfilling a dream. We get to see how vulnerable Devorah is to a predator
assuring her of fame, which shows Devorah to be more passionate and maybe a bit
selfish about her career than Lee is, who is satisfied with where she’s at. But
it also shows how much Lee loves Devorah in that she’s willing to let her go to
explore and have her dreams. There are
also flashbacks later on in the book in that goes more into depth, which I
appreciated.
The pacing of this story is just right. There was just
enough tension and slow reveals that kept me turning the pages. The authors
also went into territory that would normally bother me, but which didn’t.
Spoiler:
While Lee is so sure that Devorah is still alive and
desperate to save her, to the point of disregarding all common sense, she has
an affair with an old classmate from Julliard who shows up at Annajean’s memorial
concert for Devaroh. What Lee has felt for Devorah, that intense love that
she’s her soul mate and her life, is what Lily confesses she’s felt for Lee all
these years.
What I loved about this part of the story was how human it
was written. For most people, even the hint of infidelity is a put off to read.
However, in this instance, and between Lily and Lee, it was something that
happened and was a beautiful experience for both of them. It wasn’t thrown in
there for tension or angst or to add some sexual content. Nor was it excused by
the characters as something that happened out of emotional pain Lee was
feeling. It’s really about two people who connect just because they have a
connection despite external circumstances. It’s an experience that has Lee questioning
how things might pan out if they find Devaroh alive, and also if Lily will
respond to Han, her former partner, trying to win her back. It also causes Lee
to contemplate issues that both she and Devaroh have ignored over the years and
sort of gives her a fresh new and realistic outlook on her relationship with
her if it will continue.
Some of the lighter moments and times when this felt more
contemporary came through the secondary characters. Lily’s brother Tom is the
type up for anything, and Lee’s friends who try to support Lee in her quest to
save Devorah, are more down to earth, keeping Lee from going off the deep end. They
added quite a lot to the story.
This is just a good book all around. I liked everything
about it. Would definitely read more by these authors.
Heat Level: 2- several sensually- not graphically- written sex scenes.
Grade: Loved it!
Sunday, August 4, 2013
Review- His and Hers and Hers by Nona Raines
His and Hers and Hers
By Nona Raines
Nov 20, 2102
Contemporary/ Erotica/f-f-m/ romance/ménage/polyamore
38K words
Pub: Loose Id
Kyla Denster and Jordan Brougham are passionately in love.
Kyla knows she's lucky to have a guy who uses all his tricks to keep her happy
in and out of bed. Jordan knows he's lucky to have such a hot, adventurous
girlfriend.
But neither of them knows that their best friend, Cassie DeSantis, wants them both. Cassie's painful past has taught her not to wear her heart on her sleeve. She keeps quiet, afraid that revealing her feelings would mean losing the two people she cares for most. Things change one night when an impulsive kiss leads to the three of them spending an incredibly hot night together.
When the couple wants more of Cassie, she leaps at the chance to be with them. But problems arise at her insistence that no one mention the L word and when Jordan and Kyla clash over how to deal with disapproving family. Their triad relationship will only survive if they all stand together to prove that three is the perfect number—when all three are in love.
But neither of them knows that their best friend, Cassie DeSantis, wants them both. Cassie's painful past has taught her not to wear her heart on her sleeve. She keeps quiet, afraid that revealing her feelings would mean losing the two people she cares for most. Things change one night when an impulsive kiss leads to the three of them spending an incredibly hot night together.
When the couple wants more of Cassie, she leaps at the chance to be with them. But problems arise at her insistence that no one mention the L word and when Jordan and Kyla clash over how to deal with disapproving family. Their triad relationship will only survive if they all stand together to prove that three is the perfect number—when all three are in love.
It’s been a long time since I’ve read an f/f/m
romance/erotica. They aren’t that common, although there are lots more than
when I first started reading them. So when some twitter friends linked it I
thought it would be fun to read it.
Generally, I would say this is a decent read. However, it
didn’t really spark anything in me that made it stand out; I’ve read better and
worse. The issue for me in this story is what I’d say are poorly written sex
scenes and a sense that while the characters get a happy ending, I wasn’t
feeling it as deeply as I think I should have for an HEA/HFN.
Actually, if I start breaking it down, there are many
things. One is that I felt there was a lot of tell instead of show in what’s
going on with both Cassie and Kyla as far as being attracted to women goes. In
the beginning, we get glimpses into Cassie noticing things about Kyla from a
sexual standpoint, but not from Kyla’s. They have been friends for a long time
already and this hasn’t come up before? Kyla seems to be open to the idea of
being with Cassie only as an afterthought from her and Jordan talking about
some sexual fantasies, not because she already had an inherent sexual attraction
to Cassie on her own. Or that wasn’t really expressed. Maybe if there was more
about Cassie being attracted to Kyla all that time and vice versa, it would have
come off as more believable to me.
Also, even though they’ve been good friends for a long time,
Kyla, unlike Jordan, seems so out of touch with who Cassie is, setting her up
on a date with a total loser and not even once picking up the signals that Cassie
is bored out of her skull with this guy. Whereas Jordan is just jealous and
gets right away what a douche that guy is.
Then there was Kyla’s easily getting it on with Cassie as if
they were doing that all along, which came across more as “whatever, I’m game” and not, “I totally want you.” At some point
though, it almost seems like she and Cassie become more connected than Kyla is
to Jordan due to Jordan being a dick. But at the same time we are constantly
reminded of the fact that Jordan is the love of Kyla’s life and she would do
nothing to jeopardize her relationship with him. That puts Cassie on the
outside because right there in the interim of them coming together, one person
is more important if push comes to shove.
I didn’t like Jordan. He’s cowers to his family who get on
his case for being the only blue collar, unmarried kid. He doesn’t really stand
up for Kyla even though clearly his parents don’t like her and never have.
Forget about that he hides their threesome as well. And I felt he was a bit
sleazy by the way the sex scenes were written.
For instance, in some scenes he almost seems to ignore Kyla
as he gets it on with Cassie. It felt like Kyla was excluded although not
specifically written as such. I didn’t get that she wasn’t bothered on some
level. It would be a normal reaction even if she was into the three of them
being together. Here they have a really
tight relationship and she agrees to bring Cassie into it but Jordan seems to
be more about “oh yeah who wouldn’t want two women” even though the author
tries hard to make them all inclusive. I don’t know, he rubbed me the wrong
way.
The relationship issues. I would think that a solid couple
bringing in third person would create some issues no matter how close they all
are. However, the issues these three face are all about Jordan’s family and
their influence on him and ultimately Kyla and Cassie as well. Only Cassie has
some issues because she is coming into a solid relationship and there is some
fear of being a third wheel. Therefore, even though they all end up together, I
didn’t feel them to be a gelled unit since there wasn’t much about them
together other than having sex and having been friends all along.
The best part of this book was the transient character
Walter whom Cassie helps often. I got more of a feel for him than the others
and wanted to know where that went. There was also a lot more warmth and
emotion injected into those interactions between Cassie and Walter than what I
felt for Cassie, Jordan and Kyla’s interactions.
Still though, I would recommend this book only because it is
the rare HFN f/f/m ménage and it did have lighter, fun moments to it that kept
me reading. And some of the sex, even if kind of funky, was pretty hot.
Heat Level: 4-5- fairly graphically written f/f/m sex
scenes.
Grade: It was OK
Labels:
contemporary,
erotica,
f/f/m,
It was OK,
Leah,
menage,
Nona Raines,
Polyamory,
Romance
Sunday, July 28, 2013
Review- Follow the Sun by Sophia Rhodes
Follow the Sun\
By
Sophia Rhodes
Dec
27, 2011
Lesbian/Era
Historical 1950’s/Erotic romance
241
pgs
Pub:
Incognito Press
Los Angeles, 1957.
Dragged by her mother to California, seventeen-year old Diana
Morris is miserable and would give anything to be back on the East Coast. She
hates Elvis, thinks poodle skirts are overrated, and couldn’t jitterbug her way
out of a paper bag.
All this changes when she lays eyes on Rosario Vargas, a young
Chicano farm laborer who dresses like a man and sings rock’n’roll in a lesbian
nightclub. The proud owner of a cherry-red Studebaker truck, Rosario is tough,
stubborn, and isn’t going to let anybody get in the way of her dreams.
Can Diana overcome her fears and let Rosario know her secret
before it’s too late? Can she leave behind everything she’s ever known and
fight for the love of a woman who shows no interest in reciprocating her
feelings?
Find out the answer in this scorching tale of love, courage and
transformation that sweeps from the foothills of Southern California’s San
Fernando Valley to the sultry cabarets of New York City’s sizzling underground
scene.
Publisher's Note: This book contains explicit sexual content, graphic
language and female/female sexual practices.
This
is going to be a hard review to write. I have so many mixed feelings about this
book from many angles. Also, there’s going to probably be lots of spoilers, so
fair warning.
My
overall impression after reading this book is that what failed for me was
inconsistent characterization of Diana, the constant use of extreme bigotry as
conflict and detraction from the love story, and that it lacked a specific
direction for me. Ultimately it’s a romance, but most of the focus is on Diana,
who she is and her growth; it’s told in first person from Diana’s POV. But it’s
also about the social issues pertaining to homosexuals and Mexican Americans at
the time and goes off on what seemed like unnecessary tangents at times.
Unfortunately, due to this I wasn’t feeling any emotional heat between Diana
and Rosario for most of the story.
The
beginning of this story is good. It grabbed me and I got interested in both
Diana and Rosario as characters and felt intrigued by where the story would go,
but it slowly went downhill from there.
Rosario
is both a Chicano and a butch lesbian so she’s fairly guarded due to the fact
that on both counts she can attract lots of unwanted negative energy just for
existing. She’s strong, mature, realistic about life, and is proud of her
heritage and the nomadic, hardworking way of life that her people live.
Diana
is young, idealistic, naĂŻve, and her immaturity is what causes her the most
problems. I could forgive some really TSTL things she does because she’s only
17, however, after hanging out with Rosario for a while and hearing of
Rosario’s struggles as both a Chicano and lesbian, and having an inner dialogue
in which she gets her privilege compared to Rosario’s, what she does is too
stupid for me to get past.
*********************
SPOILER *********************
Diana moves in with Rosario and her grandmother after running away due to a severe beating. After a while, Diana decides to call her “mommy dearest” (her mother makes Joan Crawford look like a saint) and basically tells her everything, including where she is and who she’s with, not thinking how dangerous that is. She knew how extremely bigoted and racist her mother and step-father are and how they had seen Rosario and dissed on her ethnicity and looks forbidding her to see her again in the past. Also, she had been treated so badly by her mother and step-father for disobeying them. What happens after she calls them is horrific on many levels. I just didn’t get why she’d do that after knowing and experiencing all she had until at point.
*******************
END SPOILER ********************
The romance: How it came across to me, and YMMV, is that there wasn’t enough build-up or time with the two women getting to know each other. They meet and move in together within days mainly due to the fact that Diana has run away and has nowhere to go. It felt more like friends with benefits. While the sex scenes between them are fairly intense, I didn’t feel the emotional passion or heat that was portrayed at the end of book between them before their big separation. And I can’t put my finger on why. Maybe because this was more about Diana, her life and relationship with her mother and father, and less about her life with Rosario in the first half of the book.
WTF
issues. Several times during the reading of this book I had “what?!” moments. I
have to do these under spoilers. Don’t read if you don’t want to know.
******************
SPOILERS *********************
1. Diana is so pouty and not forthcoming with Rosario about things, which I felt was done mainly to ratchet up some conflict. It was more frustrating due to causing unnecessary conflict. Especially the end when Diana, after going through a horrific event that kept her separated from Rosario for months, sees her for the first time and refuses to talk about it. Instead, she accuses Rosario of having fucked other women while separated. What?!
2. Extreme homophobia. OK, yes, this kind of thing actually happened back in the 1950’s when homosexuality was considered a mental disorder subject to horrific therapies at that time. But Diana’s mother and step father being cast as one dimensional villains who do incredibly nasty things to her over and over went way over the top I felt. And ultimately, Diana doesn’t learn much from it. She still stays idealistic and naĂŻve about being an out lesbian and the real dangers of it, swearing to fight for future generations of lesbians’ rights even if it might bring on violence to her and Rosario.
3. A magical Native American shows up to teach her something important about life out of nowhere. Diana is taking a bus cross country to see Rosario and is musing to herself how she hopes she’s not sitting next to a talker or weirdo, creepy dude. Who shows up is weirdo creepy dude who talks too much. But wait, on closer inspection, he’s really a wise, old Native American dressed in stereotypical Native American regalia who is passing on a message about life that she needs to hear. He’s there just for her.
I will interject here that part of my issue with Diana’s characterization is inconsistency. Sometimes she really acts TSTL not learning from experience, and other times she’s off on lofty philosophical and poetic inner musings about life that make her seem wiser than her years and how she acts.
So here she meets, by cosmic design apparently, the man she is supposed to meet at that time in her life to teach her a lesson.Here’s what got me, this lesson is about her relationship with her father. There was not much about her father until that point other than he came across as weak-willed and absent really, willing to let her go with her mother and trying to convince her it’s better she’s with her mom. She really didn’t have a bad relationship with her dad, just he didn’t push to keep her and she couldn’t understand why. So this life lesson about making amends with her father before it’s too late felt from left field all the sudden.
5. Her father and what happens when she goes to meet him. Wow really? Maybe the author gave her a hellish life to balance the privilege, whereas non-privileged Rosario has family acceptance, love, and they totally support her.
******************* END SPOILER ****************
This book wasn’t completely a negative experience or I wouldn’t have kept reading. The author gets the time period correct. Cultural references and attitudes from the 1950’s felt authentic. And I liked Rosario as a character and that she is accepted in her community for who she is. Like it’s a common thing to be a lesbian.
The ending is what eventually saved this book for me in my mind. After all the ups and downs and crazy stuff that happens to Diana, and her almost effing it up with Rosario, things are set right and it’s left on a positive note. I just wish that there was more about Rosario and Diana and their connection throughout the whole book.
Heat level: 4- a few, graphically written scenes, strap-on use.
Grade: It was OK
Sunday, July 7, 2013
Review- After the Night by Rachel Dax
By Rachel Dax
Sept. 11, 2010
Lesbian/Period Historical 1960’s/Romance
Pgs 251
Publisher- Self?
After The Night' is a
lesbian love story set in a British Prison in 1960. When young nurse, Leah
Webster, starts work in a prison hospital, little does she know that her entire
world will be turned upside down by falling in love with a female officer Jean MacFarlane.
But the course of lesbian love does not always run smoothly and together they
have to fight homophobia both within and without the prison walls
What an excellent read this was! I couldn’t put this book
down. This book was another pleasant surprise for me. Reading the blurb I
wasn’t too sure about a story set in a prison because I couldn’t imagine it as
a romantic setting. But I started reading it and got immediately immersed into
these characters’ lives, including the secondary characters. The author managed
to use the context of prison life for both prisoners and employees in a far
more interesting way than I could have imagined.
Firstly, I have a penchant for the cool on the outside,
passionate on the inside character. Right away Jean, a guard at the prison, is rather
cool and distant to Leah, a new nurse in the prison whom she’s taking around to
meet everyone on Leah’s first day at work. That immediately got me going
because it already made me curious about her as a character. Leah also notices this
and is put off, setting up the initial emotional tension between the women
since they have to work together.
Quickly though, Leah sees that both employees and prisoners
have a lot of love and respect for Jean. Curious about the contradictions in her
personality at times, Leah starts looking at Jean in a different light.
During the course of interacting and Leah watching how Jean
acts with the prisoners, Leah finds herself uncomfortably and shockingly
falling in love with her. Shocking because she’s engaged to be married and
well, lesbians are perverted and disgusting, and it can’t be possible!
What I loved most about this story is how the author captured
the realness of what the characters are feeling. How the characters react to
what they’re feeling is vividly nuanced and expressed. Leah becomes shy and
unable to look directly at Jean once she’s realized that her feelings for Jean
are more than just as a coworker and friend and I acutely felt her discomfort mixed with inner excitement at
falling in love.
While not getting right away what Leah feels mainly due to
being wrapped up in work issues and still carrying pain and regret of a past
event that keeps her emotionally locked up, Jean does notice that Leah yields
and melts into her when they hug, making her feel rather shy and uncomfortable
as well. She’s already somewhat at ease
with the fact that she might be a lesbian, but she’s still rather reserved due
to several reasons, partly her own personal emotional state, and partly the anti-lesbian
atmosphere going on in the prison. The constant subtle little signals between
both women ratcheted up the tension because both are not sure about the other
and they cannot openly flirt.
The build up to both expressing what they feel and the pacing
of it was perfectly executed, I felt. I was aching for them to finally get
together. And by the way, for those who are wondering, there are a few sex
scenes. Not written graphically, but which felt highly erotic due to the
emotional and sexual heat reaching breaking point before they can finally
express their love for each other in a physical way.
While this story is largely a romance, there’s an overall
arc of all the characters, including the well-defined secondary characters, dealing
with homophobia for that time period. Jean has no family, but Leah does and she
has to deal with painful consequences of being in love with a woman. Homophobia
also affected all the women in the prison, those who were accused of being perverted
as well as the accusers and the actions they take against those women.
Kudos to the author though because it wasn’t all doom and
gloom. Leah and Jean, as well as the prisoners accused of having homosexual
affairs, true or not, have many non-bigoted allies on their side who keep
working to help them out and fight any retribution or negative actions against
them. Jean and Leah also get support so they can just be together as a couple.
The one thing that I would say negatively about this book is
that in a lot of places the characters get melodramatic and emotionally sticky.
At first I was a bit eye rolly at it, but then I realized that in a lot of ways
that’s how people from that time period talked or have been portrayed in books
and movies from that time. Also, this is just an extremely passionate story:
the romance, the characters, the social issues, all of it. So a little
melodrama was not a distracter really.
If you’re looking for a well written, impassioned and warm
love story this is it. Also, the ending includes something I rarely read in a
lesbian love stories. I won’t say yay or nay to it because it’s a matter of
personal preference. But in this case, with these two women, it worked for me.
Heat level: 2-3 Few sex scenes not graphically written
Grade: Loved it!!!
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